
At a press conference in Hamburg, Germany on September 16, 2001, my favorite German avant-garde composer Karlheinz Stockhausen was asked whether the characters Michael and Lucifer from a cycle of operas he wrote were for him “merely some figures out of a common cultural history” or instead “material appearances.” In other words, were they fake or were they real? The composer replied, “I pray daily to Michael, but not to…